Five large drawings of moths frozen in flight, executed in charcoal, ashes, and lampblack on kraft paper. The combustible materials embody the tension between appearance and erasure. As if marked by the light that attracts and consumes them, the moths become figures of vulnerability and fatal attraction. Encaustic fixes traces while giving them organic translucency. The crumpled paper amplifies instability, as if the support itself bore the stigmata of fire or the nocturnal passage of the insect. This is not about representation but invoking the trace, like a rite of passage, a fragile offering to the night.

_AI-generated text