These large Indian ink drawings emerge from a trance-like practice. The repetitive gesture saturates space to the point of illegibility, creating organic structures that simultaneously evoke interior cartographies, neural networks, and automatic writing. Neither figurative nor abstract, they function as immersive force fields where the hand precedes thought. This series follows a lineage from Henri Michaux to Cy Twombly, but here drawing becomes a ritual of access to an altered state, a necessary prerequisite for all creation. The monumental scale amplifies the physicality of the gesture and imposes an almost sonic presence.

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