A meditative counterpoint to the ritual drawings, this series isolates withered flowers in a sacralized white space. Intense Indian ink contrasts with the emptiness of the support, creating tension between appearance and disappearance. These contemporary vanitas works do not belong to documentary naturalism but to an exercise in presence: the gaze fixes, the hand follows. The vegetal becomes a meditative support, not through saturation but through economy of means. Each drawing is a study in the noblest sense: not reproduction, but patient exploration of what slowly reveals itself. The void is not absence but a space of resonance.

_AI-generated text